Focus Pair / 对读

两张图像之间

展品 00.02

Verified archive source

花鸟册页

Flower-and-Bird Leaf from the Ten Bamboo Studio Manual

胡正言等 / Hu Zhengyan and others, 1633 first edition
南京 / Nanjing / Woodblock-printed book leaf; ink and color on paper

复制技术让图像成为可携带的知识。

这页花鸟不是旅行照片,却已具备展览关心的问题:谁选择图像,谁规定观看顺序,谁把一个地方变成图册。

Credit
The Metropolitan Museum of Art, Rogers Fund, 1924
Rights
Public domain image record from The Metropolitan Museum of Art.

查看展品页

展品 00.03

Verified archive source

山水册页

Landscape Leaf from the Ten Bamboo Studio Manual

胡正言等 / Hu Zhengyan and others, 1633 first edition
南京 / Nanjing / Woodblock-printed book leaf; ink and color on paper

印刷的中国,先于摄影的中国被带向远方。

在这间展厅里,摄影不是起点。起点是图像如何被制成对象,如何离开原处,如何在另一种观看制度中重新命名。

Credit
The Metropolitan Museum of Art, Rogers Fund, 1924
Rights
Public domain image record from The Metropolitan Museum of Art.

查看展品页

Study Wall / 研究墙

补充展品

展品 00.04

Verified archive source

《十竹斋书画谱》叶片

Leaf from the Ten Bamboo Studio Manual

胡正言等 / Hu Zhengyan and others, 1633 first edition
南京 / Nanjing / Woodblock-printed book leaf; ink and color on paper

同一套图谱中的另一页,显示复制技术如何制造观看秩序。

这件展品补足了摄影之前的图像复制层:图像不是自然流通的,它被版式、色彩和收藏制度共同带向远方。

Credit
The Metropolitan Museum of Art, Rogers Fund, 1924
Rights
Public domain image record from The Metropolitan Museum of Art.

查看展品页

展品 00.05

Verified archive source

《十竹斋书画谱》册页

Album Leaf from the Ten Bamboo Studio Manual

胡正言等 / Hu Zhengyan and others, 1633 first edition
南京 / Nanjing / Woodblock-printed book leaf; ink and color on paper

图像被制成可携带、可翻阅、可再观看的对象。

摄影史并不从照相机突然开始。它之前已有一套关于复制、选择和观看的技术传统。

Credit
The Metropolitan Museum of Art, Rogers Fund, 1924
Rights
Public domain image record from The Metropolitan Museum of Art.

查看展品页

00.06

Verified archive source

套色页的观看顺序

Color-Block Sequence

Hu Zhengyan and collaborators, 1633
Nanjing / Woodblock-printed book leaf

图像复制在这里不是背景技术,而是观看被组织起来的方式。

This object keeps Gallery 00 focused on reproduction as a visual method rather than a preface to photography.

Credit
The Metropolitan Museum of Art
Rights
Public domain image record from The Metropolitan Museum of Art.

查看展品页

00.07

Verified archive source

花鸟页与可携带知识

Flower-and-Bird as Portable Knowledge

Hu Zhengyan and collaborators, 1633
Nanjing / Woodblock-printed book leaf

一页花鸟不是风景纪念,而是可携带、可复现的知识单元。

The page lets the exhibition ask how a motif becomes a unit of storage, circulation, and instruction.

Credit
The Metropolitan Museum of Art
Rights
Public domain image record from The Metropolitan Museum of Art.

查看展品页

Archive Drawer / 展品抽屉展开更多展品1 objects

00.08

Verified archive source

山水页与边框

Landscape Leaf and Frame

Hu Zhengyan and collaborators, 1633
Nanjing / Woodblock-printed book leaf

边框让风景成为可被翻阅的对象,也让观看有了先后。

This object bridges the printed page and later camera framing by placing the border at the center of interpretation.

Credit
The Metropolitan Museum of Art
Rights
Public domain image record from The Metropolitan Museum of Art.

查看展品页